The message of a poem

Grade 6 Reading Worksheet

NameDate

Circle the best answer.

  1. Read this first

    The Garden Sign (original poem)

    Stanza 1: [1] Tala paints a sign beside the growing seedlings. [2] The letters shine like flags above the bed. [3] A younger gardener squints across the pathway. [4] The leaves have covered half the words in red. Stanza 2: [5] Tala lifts the sign and finds a taller stake. [6] The letters rise beyond the longest leaf. [7] But wind begins to turn the painted board around; [8] The useful message disappears again, too brief. Stanza 3: [9] Together, both gardeners anchor it with stones. [10] Now visitors can read which path to take. [11] A good idea needs more than one careful look [12] And sometimes more than one small change to make.
    Annotations: stanza 1 = opening; stanza 2 = response; stanza 3 = result.

  2. Tala marks the lines in the poem. Which message links the opening and ending?

    • Tala finds a taller stake.
    • A second look always fixes a sign.
    • The poem is about a sign among seedlings.
    • Useful work often needs another person’s view and more than one revision.
  3. Tala marks the lines in the poem. Which message includes the second stanza’s response?

    • The poem is about leaves hiding words.
    • Every first repair causes a new problem.
    • Fixing one problem may reveal another, so a plan deserves another check.
    • Wind turns the painted board.
  4. Tala marks the lines beside the poem. Which marked lines show why one correction was not enough?

    • [6] The letters rise beyond the longest leaf. + [1] Tala paints a sign beside the growing seedlings.
    • [6] The letters rise beyond the longest leaf. + [7] But wind begins to turn the painted board around;
    • [6] The letters rise beyond the longest leaf. + [9] Together, both gardeners anchor it with stones.
    • [1] Tala paints a sign beside the growing seedlings. + [2] The letters shine like flags above the bed.
  5. Tala marks the lines beside the poem. Which marked lines show a shared final adjustment?

    • [1] Tala paints a sign beside the growing seedlings. + [2] The letters shine like flags above the bed.
    • [9] Together, both gardeners anchor it with stones. + [11] A good idea needs more than one careful look
    • [9] Together, both gardeners anchor it with stones. + [1] Tala paints a sign beside the growing seedlings.
    • [9] Together, both gardeners anchor it with stones. + [10] Now visitors can read which path to take.
  6. The Borrowed Beat (original poem)

    Stanza 1: [1] Zee keeps a steady beat upon the small drum. [2] The dancers hurry past the count too soon. [3] One dancer taps a slower rhythm softly, [4] A patient pattern like an afternoon. Stanza 2: [5] Zee lets the new beat lead the second practice. [6] The steps and tapping meet upon the floor. [7] Then Zee adds one bright roll before the ending; [8] The dancers pause and ask to hear it more. Stanza 3: [9] No single player owns the whole performance. [10] They trade the lead as music fills the room. [11] A borrowed beat can make a song more lively [12] When every player brings a sound to bloom.
    Annotations: stanza 1 = opening; stanza 2 = response; stanza 3 = result.

  7. Zee marks the lines in the poem. Which message links the opening and ending?

    • A group can make stronger music by sharing ideas and the lead.
    • The poem is about a small drum and the dancers who join practice.
    • Every group must use a slow beat.
    • One dancer offers a slower rhythm.
  8. Zee marks the lines beside the poem. Which marked lines connect the offered beat to Zee’s response?

    • [3] One dancer taps a slower rhythm softly, + [7] Then Zee adds one bright roll before the ending;
    • [3] One dancer taps a slower rhythm softly, + [1] Zee keeps a steady beat upon the small drum.
    • [3] One dancer taps a slower rhythm softly, + [5] Zee lets the new beat lead the second practice.
    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
  9. Zee marks the lines in the poem. Which message includes the second stanza’s response?

    • Accepting another rhythm can leave room for one’s own contribution.
    • The poem is about dancers and a drum.
    • A borrowed idea always becomes better than the original.
    • Zee adds a bright roll.
  10. Zee marks the lines beside the poem. Which marked lines show Zee still adds a fresh idea?

    • [7] Then Zee adds one bright roll before the ending; + [8] The dancers pause and ask to hear it more.
    • [7] Then Zee adds one bright roll before the ending; + [9] No single player owns the whole performance.
    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
    • [7] Then Zee adds one bright roll before the ending; + [1] Zee keeps a steady beat upon the small drum.
  11. Zee marks the lines in the poem. Which message does the final stanza leave with readers?

    • No player should ever lead a song.
    • Working together lets different sounds shape one performance.
    • The dancers ask to hear the roll again.
    • The poem is about taking turns in music and keeping a steady beat.
  12. Zee marks the lines beside the poem. Which marked lines show the final pattern of sharing?

    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
    • [9] No single player owns the whole performance. + [1] Zee keeps a steady beat upon the small drum.
    • [9] No single player owns the whole performance. + [10] They trade the lead as music fills the room.
    • [9] No single player owns the whole performance. + [11] A borrowed beat can make a song more lively
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The message of a poem

Answer Key - Grade 6 Reading Worksheet

Circle the best answer.

  1. Read this first

    The Garden Sign (original poem)

    Stanza 1: [1] Tala paints a sign beside the growing seedlings. [2] The letters shine like flags above the bed. [3] A younger gardener squints across the pathway. [4] The leaves have covered half the words in red. Stanza 2: [5] Tala lifts the sign and finds a taller stake. [6] The letters rise beyond the longest leaf. [7] But wind begins to turn the painted board around; [8] The useful message disappears again, too brief. Stanza 3: [9] Together, both gardeners anchor it with stones. [10] Now visitors can read which path to take. [11] A good idea needs more than one careful look [12] And sometimes more than one small change to make.
    Annotations: stanza 1 = opening; stanza 2 = response; stanza 3 = result.

  2. Tala marks the lines in the poem. Which message links the opening and ending?

    • Tala finds a taller stake.
    • A second look always fixes a sign.
    • The poem is about a sign among seedlings.
    • Useful work often needs another person’s view and more than one revision.
  3. Tala marks the lines in the poem. Which message includes the second stanza’s response?

    • The poem is about leaves hiding words.
    • Every first repair causes a new problem.
    • Fixing one problem may reveal another, so a plan deserves another check.
    • Wind turns the painted board.
  4. Tala marks the lines beside the poem. Which marked lines show why one correction was not enough?

    • [6] The letters rise beyond the longest leaf. + [1] Tala paints a sign beside the growing seedlings.
    • [6] The letters rise beyond the longest leaf. + [7] But wind begins to turn the painted board around;
    • [6] The letters rise beyond the longest leaf. + [9] Together, both gardeners anchor it with stones.
    • [1] Tala paints a sign beside the growing seedlings. + [2] The letters shine like flags above the bed.
  5. Tala marks the lines beside the poem. Which marked lines show a shared final adjustment?

    • [1] Tala paints a sign beside the growing seedlings. + [2] The letters shine like flags above the bed.
    • [9] Together, both gardeners anchor it with stones. + [11] A good idea needs more than one careful look
    • [9] Together, both gardeners anchor it with stones. + [1] Tala paints a sign beside the growing seedlings.
    • [9] Together, both gardeners anchor it with stones. + [10] Now visitors can read which path to take.
  6. The Borrowed Beat (original poem)

    Stanza 1: [1] Zee keeps a steady beat upon the small drum. [2] The dancers hurry past the count too soon. [3] One dancer taps a slower rhythm softly, [4] A patient pattern like an afternoon. Stanza 2: [5] Zee lets the new beat lead the second practice. [6] The steps and tapping meet upon the floor. [7] Then Zee adds one bright roll before the ending; [8] The dancers pause and ask to hear it more. Stanza 3: [9] No single player owns the whole performance. [10] They trade the lead as music fills the room. [11] A borrowed beat can make a song more lively [12] When every player brings a sound to bloom.
    Annotations: stanza 1 = opening; stanza 2 = response; stanza 3 = result.

  7. Zee marks the lines in the poem. Which message links the opening and ending?

    • A group can make stronger music by sharing ideas and the lead.
    • The poem is about a small drum and the dancers who join practice.
    • Every group must use a slow beat.
    • One dancer offers a slower rhythm.
  8. Zee marks the lines beside the poem. Which marked lines connect the offered beat to Zee’s response?

    • [3] One dancer taps a slower rhythm softly, + [7] Then Zee adds one bright roll before the ending;
    • [3] One dancer taps a slower rhythm softly, + [1] Zee keeps a steady beat upon the small drum.
    • [3] One dancer taps a slower rhythm softly, + [5] Zee lets the new beat lead the second practice.
    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
  9. Zee marks the lines in the poem. Which message includes the second stanza’s response?

    • Accepting another rhythm can leave room for one’s own contribution.
    • The poem is about dancers and a drum.
    • A borrowed idea always becomes better than the original.
    • Zee adds a bright roll.
  10. Zee marks the lines beside the poem. Which marked lines show Zee still adds a fresh idea?

    • [7] Then Zee adds one bright roll before the ending; + [8] The dancers pause and ask to hear it more.
    • [7] Then Zee adds one bright roll before the ending; + [9] No single player owns the whole performance.
    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
    • [7] Then Zee adds one bright roll before the ending; + [1] Zee keeps a steady beat upon the small drum.
  11. Zee marks the lines in the poem. Which message does the final stanza leave with readers?

    • No player should ever lead a song.
    • Working together lets different sounds shape one performance.
    • The dancers ask to hear the roll again.
    • The poem is about taking turns in music and keeping a steady beat.
  12. Zee marks the lines beside the poem. Which marked lines show the final pattern of sharing?

    • [1] Zee keeps a steady beat upon the small drum. + [2] The dancers hurry past the count too soon.
    • [9] No single player owns the whole performance. + [1] Zee keeps a steady beat upon the small drum.
    • [9] No single player owns the whole performance. + [10] They trade the lead as music fills the room.
    • [9] No single player owns the whole performance. + [11] A borrowed beat can make a song more lively