The message of a poem, line by line
Grade 7 Reading Worksheet - Building Confidence

Circle the best answer.
Read this first
Against the Wall (original poem)
Stanza 1
[1] I throw the ball against the garage wall.
[2] It slaps back wrong and rolls beneath the car.
[3] Eleven drops. I count them like a list.
[4] I mark the misses; nothing else is kept.Stanza 2
[5] Nobody watches. That's the one good part.
[6] I try not to think about team trials,
[7] or friends who catch behind their backs.
[8] I think about the wall, the ball, my hands.Stanza 3
[9] Somewhere in the second hour, the slap
[10] comes back and finds my palm without a search.
[11] I do not cheer. I throw it once again.
[12] It comes back once again, and I am here.Stanza 4
[13] Last week I counted drops. Today I lose
[14] count of the catches and don't notice losing.
[15] The wall has not changed. The ball has not changed.
[16] Something in my hands has learned to wait.
Annotations: stanza 1 = the struggle; stanza 2 = the focus; stanza 3 = the change; stanza 4 = looking back.Ari marks the struggle, the change and the ending. Which theme fits the whole poem?
- The poem describes a person who practices throwing a ball against a garage wall for hours.
- Practicing alone in a garage will soon make a person better than friends who already catch well.
- Keeping a running count of each drop can make a person's practice feel like a list of failures.
- Skill grows quietly through steady practice, and the change shows in the person more than the place.
Esme compares stanza 1 with stanza 4. What changes from the first stanza to the last?
- The speaker moves from throwing the ball to counting eleven drops in a row.
- The speaker moves from counting each miss to catching without keeping count.
- The wall and the ball change from hard to use into easy to use over time.
- The speaker moves from calm, unwatched practice to counting each drop.
Kira wants proof of two things: catching has become easy, and the speaker has stopped keeping score. Which two lines show both?
- [10] comes back and finds my palm without a search. + [14] count of the catches and don't notice losing.
- [9] Somewhere in the second hour, the slap + [12] It comes back once again, and I am here.
- [2] It slaps back wrong and rolls beneath the car. + [8] I think about the wall, the ball, my hands.
- [10] comes back and finds my palm without a search. + [6] I try not to think about team trials,
Luz looks for the turn in the poem. Which stanza holds the turn, and what turns?
- Stanza 1: the ball slaps back wrong and rolls beneath the car.
- Stanza 3: the ball starts coming back to the speaker's palm without a search.
- Stanza 4: the wall and the ball finally change after so much practice.
- Stanza 2: the speaker begins to worry about the school team trials.
The Empty Room (original poem)
Stanza 1
[1] The truck is gone. The boxes lean in rows.
[2] My voice comes back to me from every wall.
[3] The new house smells of paint and someone else's
[4] clean, and nothing in it knows my name at all.Stanza 2
[5] Next morning, noises on the porch: a knock,
[6] a tray of lemon bars, a folded note.
[7] “We're across the street,” it says. “Come by.”
[8] I hold the tray. The paper bends a bit.Stanza 3
[9] That afternoon we search the kitchen drawers
[10] for forks, and someone's laughing in the hall.
[11] My voice comes back to me from every wall,
[12] but now it brings another voice along.Stanza 4
[13] The boxes are the same. The rooms are, too.
[14] The window shows the same square of street.
[15] Tonight the light across the way is on,
[16] and I leave mine on, so they know I'm here.
Annotations: stanza 1 = the empty house; stanza 2 = the visit; stanza 3 = the change; stanza 4 = the ending.Milo marks the empty house, the visit and the ending. Which theme fits the whole poem?
- An empty house can sound strange, because a voice echoes off each bare wall.
- The poem describes the first day in a new house after the moving truck has gone.
- A new place starts to feel like home through the people who reach out, not through the rooms.
- A neighbor's welcome will make a newcomer feel completely at home within a single day of moving in.
Noah looks for proof of the house changing. Which two lines show the speaker's voice echoing alone first, and then with another voice?
- [9] That afternoon we search the kitchen drawers + [10] for forks, and someone's laughing in the hall.
- [1] The truck is gone. The boxes lean in rows. + [4] clean, and nothing in it knows my name at all.
- [2] My voice comes back to me from every wall. + [12] but now it brings another voice along.
- [2] My voice comes back to me from every wall. + [6] a tray of lemon bars, a folded note.
Pia compares stanza 1 with stanza 4. What changes from the first stanza to the last?
- The boxes get unpacked and the rooms look different from the way they looked before.
- The speaker goes from smelling fresh paint to hearing an echo in the empty rooms.
- The speaker goes from feeling unknown in the house to leaving a light on to be known.
- The speaker goes from welcoming a neighbor to feeling that nothing in the house knows a name.
Ren marks the visit in stanza 2 and the light in stanza 4. Which message do the two marks add up to?
- The poem is about a tray of lemon bars and a note that a neighbor leaves.
- A new place feels strange at first, because nothing in it seems to know a newcomer.
- Leaving a light on for a neighbor is the way to make friends in any new town.
- Belonging is built when someone makes a first move and someone else answers it.
Tala wants proof of a first move and an answer. Which two lines show a neighbor reaching out and the speaker's answer at the end?
- [6] a tray of lemon bars, a folded note. + [13] The boxes are the same. The rooms are, too.
- [6] a tray of lemon bars, a folded note. + [16] and I leave mine on, so they know I'm here.
- [5] Next morning, noises on the porch: a knock, + [6] a tray of lemon bars, a folded note.
- [8] I hold the tray. The paper bends a bit. + [10] for forks, and someone's laughing in the hall.
Zee looks for the turn in the poem. Which stanza holds the turn, and what turns?
- Stanza 4: the speaker notices that the boxes and the rooms have finally changed.
- Stanza 3: the speaker's echoing voice is joined by another voice in the house.
- Stanza 2: the neighbor's knock makes the speaker feel even more alone in the new house.
- Stanza 1: the speaker finds that nothing in the new house knows a name.